film noir

Hi. I'm Ant. Welcome to my Blog. I'd give anything to be Brian Fallon or The Boss. 28. Married to the most incredible girl. I also have the best friends.
bear1na:

Jurassic World poster by Mark Englert

bear1na:

Jurassic World poster by Mark Englert

fucking MELTING on this bus. air con not on. PERFECT.

fucking MELTING on this bus. air con not on. PERFECT.

I heard him [Fincher] once describe directing. It was the greatest description of directing I ever heard. He sort of said “Imagine painting… but you’re 200 yards away from the canvas. And 80 people are holding the brush. And you’re on a walkie-talkie going, ‘We need a little blue there. No, no, no, darker blue. No, DARKER BLUE.’”

James Vanderbilt  (via elizabetholsens)

(Source: darthvadersmoms, via mirabellebuttersfield)

archiemcphee:

Vancouver-based art student Fiona Tang creates large-scale trompe l’oeil drawings of animals that appear to burst forth from the paper upon which they were so expressively rendered. She uses a variety of materials to create these awesome optical illusions, including charcoal, acrylic paint, conté and chalk pastels.

We love the photos in which Tang poses with her pieces, emphasizing the effectiveness of her illusions. A large stag, with birds perched on his antlers, looks so solid that we’re still waiting to see steamy breath leave his nostrils. An enormous salt water crocodile raises its head from the rippling grey water in order to receive a gentle pat on the snout. A ferocious shark and powerful humpback whale emerge from opposite walls for an underwater face-off.

Follow Fiona Tang here on Tumblr to check out more of her eye-popping artwork.

[via My Modern Metropolis]

(via wolfmaaster)

afgavinstan:

"Oh, but not to worry, not to worry. You’ve sent fuckin’ Ollie over there to deal with it. FUCKIN’ OLLIE! HE’S A FUCKIN’, HE’S A FUCKIN, KNITTED SCARF, THAT TWAT! HE’S A FUCKIN’ BALACLAVA!"

Iconic Television Moment.

(Source: pcapitated, via thetruthacknowledged)

jetpacks-was-yes:

welcometothe1jungle:

The cruelty before the bullfight:

The Bull is not an aggressive animal, and the reason he is angry and attempts to charge at the matador whilst in the bullring is mainly because he has been horrendously abused for the previous two days.
In fact, what spectators see is not a normal, healthy bull, but a weakened, half-blinded and mentally destroyed version, whose chances of harming his tormentors is virtually nil.

The bull has wet newspapers stuffed into his ears; vaseline is rubbed into his eyes to blur his vision; cotton is stuffed up his nostrils to cut off his respiration and a needle is stuck into his genitals.
Also, a strong caustic solution is rubbed onto his legs which throws him off balance. This also keeps him from lying down on the ground. In addition to this, drugs are administered to  him up or slow him down, and strong laxatives are added to his feed to further incapacitate him. He is kept in a dark box for a couple of days before he faces the ring.

The purpose of this is to disorientate him. When he is let out of the box, he runs desperately towards the light at the end of the tunnel. He thinks that at last his suffering is over and he is being set free, instead, he runs into the bullring to face his killers and a jeering mob. (x)

:’( i hate humans sometimes